Pinselzeichnung von Menschen auf der Straße
© SKD, Foto: Herbert Boswank

"A comédie humaine of our time" Josef Hegenbarth and Will Grohmann – the Draftsman and his Interpreter

The art critic Will Grohmann (1887-1968) was friends with many of “his” artists and felt closely connected to them for many years.

  • DATES 02/06/2012—02/09/2012

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Heralding the large special exhibition Im Netzwerk der Moderne. Kirchner, Braque, Kandinsky, Klee ... Richter, Bacon, Altenbourg und ihr Kritiker Will Grohmann, this small exhibition in the special exhibition rooms of the Joseph-Hegenbarth-Archive is dedicated to the relationship between Will Grohmann and the Dresden illustrator and painter Joseph Hegenbarth (1884–1962).

Pinselzeichnung von Menschen auf der Straße
© SKD, Foto: Herbert Boswank
Josef Hegenbarth, Straßenszene, 1950 farbige Pinselzeichnung, 313 x 444 mm

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Early on, Grohmann recognized the artistic potential of Hegenbarth. In many letters, he encouraged the artist to work as an illustrator and supported him on several occasions through publications about his works. Being the principal of the newly founded College of Design in Dresden, Grohmann was able to win Hegenbarth as a docent in 1946.

Even after leaving Dresden, Grohmann stayed in touch with Hegenbarth. The artist knew that Grohmann’s engagement went beyond his actual job and thanked him with what he loved most: brush and quill.

Illustration zu Shakespeares Sommernachtstraum: Titania und der Esel
© SKD, Foto: Herbert Boswank
Joseph Hegenbarth, Zu Shakespeare, William: Ein Sommernachtstraum, I. Akt, 1. Szene, Titania und der Esel, 1960 Pinselzeichnung, Leimfarbe, weiß gehöht, 503 x 376 mm

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