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The series is remarkable not only on account of its theme, which was unparalleled at the time. It also testifies to the cultural transfer taking place between the Netherlands and Italy, since it combines the Flemish School’s naturalistic representation of reality with the humanist ideas developed in Italy. Jan van der Straet, who initially trained in Antwerp, was active in Italy from 1550 until the end of his life, first as a fresco painter in the Vatican Palace in Rome and later working for the Medici in Florence.