text
Invented as a medium of reproducing reality, photography is closely linked to the Kunstkammer’s pretense of universal representation. The intervention »Photography and the Object« is dedicated to the relationship between photography and the material world. From the 19th century to the present, it highlights the creative possibilities of photographic representation, from strict portrayals to subjective staging. These include the isolation of individual objects in the supposedly neutral setting of the studio and the effects of light and shadow, as well as fragmentation or the visual illusions that can be achieved with the medium – occasionally raising doubts about its own abilities.